Information reaching Kossyderrickent has it that Ex-husband, Dalton Gomez, played Ariana Grande like Atari as his sidechick laying on his chest in their matrimonial bed in ‘Eternal Sunshine’ song.
At 30, she’s less convinced she’ll ever quite know or understand how eternal love works. If you’re expecting Sweetener-level optimism from Eternal Sunshine, that’s not what you’re going to get: Grande’s latest is a gorgeously exposed journey to the end of her world — or at least what she believes to be the end. It’s a divorce album that goes through all the stages of grief, and the singer navigates a new beginning with some of the most honest and inventive songs of her career so far.Grande gets the most intense feelings of heartbreak out of the way first. After “Intro (End of the World)” poses the album’s central question, she spends the next couple songs fighting for either herself or her relationship. On “Bye,” she’s more than ready to let go. She’s so ready her friend Courtney is in the driveway waiting for the star to hop in the car with her stuff. “Don’t Wanna Break Up Again” is a little more uncertain; she paints a portrait of a negligent partner she knows she needs to leave but doesn’t want to give up on yet. The early songs are a bit Seventies pop in their approach, with Grande doing her best Diana Ross impression.
eternal sunshine Lyrics
I don’t care what people say
We both know I couldn’t change you
I guess you could say the same
Can’t rearrange truth
I’ve never seen someone lie like you do
So much, even you start to think it’s true
Ooh
Get me out of this loop
Yeah, yeah
So now we play our separate scenes
Now, now she’s in my bed, mm-mm, layin’ on your chest
Now I’m in my head, wonderin’ how it ends
I’ll be the first to say, “I’m sorry”
Now you got me feelin’ sorry
I showed you all my demons, all my lies
Yet you played me like Atari
Now it’s like I’m lookin’ in the mirror
Hope you feel alright when you’re in her
I found a good boy and he’s on my side
You’re just my eternal sunshine, sunshine
So I try to wipe my mind
Just so I feel less insane
Rather feel painless
I’d rather forget than know, know for sure
What we could’ve fought through behind this door, hm-mm
So I close it and move, yeah, yeah
So now we play our separate scenes
Now, now he’s in your bed, layin’ on my chest
Now I’m in my head, wonderin’ how it ends, ends, ends
I’ll be the first to say, “I’m sorry”
Now you got me feelin’ sorry
I showed you all my demons, all my lies
Yet you played me like Atari
Now it’s like I’m lookin’ in the mirror
Hope you feel alright when you’re in her
I found a good boy and he’s on my side
You’re just my eternal sunshine, sunshine
Won’t break, can’t shake
This fate, rewrite
Deep breaths, tight chest
Life, death, rewind
Won’t (Won’t) break (Won’t), can’t (Can’t) shake (Shake)
This (This) fate (Fate), rewrite
Deep (Deep) breaths (Breaths), tight (Tight) chest (Chest)
Life (Life), death (Death)
I’ll be the first to say, “I’m sorry”
Now you got me feelin’ sorry
I showed you all my demons, all my lies
Yet you played me like Atari
Now it’s like I’m lookin’ in the mirror (Won’t break)
Hope you feel alright when you’re in her (Can’t shake, this fate)
I found a good boy and he’s on my side (Rewrite, deep breaths)
You’re just my eternal sunshine, sunshine (Tight chest, life, death, rewind)
Won’t (Won’t) break (Won’t), can’t (Can’t) shake (Shake)
This (This) fate (Fate), rewrite
Deep (Deep) breaths (Breaths), tight (Tight) chest (Chest)
Life (Life), death (Death), rewind
Won’t (Won’t) break (Won’t), can’t (Can’t) shake (Shake)
This (This) fate (Fate), rewrite
Deep (Deep) breaths (Breaths), tight (Tight) chest (Chest)
Life (Life), death (Death)
Grande gets the most intense feelings of heartbreak out of the way first. After “Intro (End of the World)” poses the album’s central question, she spends the next couple songs fighting for either herself or her relationship. On “Bye,” she’s more than ready to let go. She’s so ready her friend Courtney is in the driveway waiting for the star to hop in the car with her stuff. “Don’t Wanna Break Up Again” is a little more uncertain; she paints a portrait of a negligent partner she knows she needs to leave but doesn’t want to give up on yet. The early songs are a bit Seventies pop in their approach, with Grande doing her best Diana Ross impression.
Audiences first learned the name of the album in the music video for the lead single, “Yes, And?”, which contains nods to the movie. In the video, she invites a group of critics to watch an exclusive performance. As the critics ride the elevator, they look at a card that has coordinates on the front leading to Montauk, New York—an important place in the film.