There’s a great Clint Eastwood out there now – too bad it’s barely been released.
$3.8 billion. That’s the amount of money Clint Eastwood’s films have grossed at the North American box office throughout his career. A superstar since the 1960s, Eastwood is rare in that almost all of his biggest blockbusters, including all the Dirty Harry movies, were all made for Warner Bros. It’s been his home studio since about the time he made The Outlaw Josey Wales. He’s made everything from Oscar-winners (Unforgiven, Mystic River, Million Dollar Baby) to action movies (Firefox, Sudden Impact, Best Movie You Never Saw fave The Rookie), to movies where he’s chilling with his pal Clyde the Orangutan for them, and they almost always ended up at least breaking even. Sure, he’s had a few flops, but even in his golden years, he still cranked out smash hits for them, with American Sniper making over half a billion dollars, while The Mule and Sully both made over $100 million domestically.
With such a solid track record, you’d think that Clint Eastwood, who just made what might be his last movie for Warner Bros, Juror No 2, deserved a little better than having his movie dumped in just a handful of theaters on the way to a quick bow on streaming. Indeed, with solid reviews and a pretty bankable cast, which includes Nicholas Hoult and Toni Collette re-teaming for the first time since About a Boy, you’d think Juror No 2 could have gotten a nice release fitting Clint’s legacy as a director. But no, WB’s dumped the film in so few theatres that they haven’t even been reporting its box office take.
Now, some will say that WB’s head honcho, David Zaslav, won’t give it a wide release because he thinks it’s going to lose money. He previously slammed the studio for agreeing to make Cry Macho, which he called a flop, even if it wasn’t really. Considering it came out during the pandemic and was day and date with HBO Max, its $10 million U.S. take wasn’t awful. Heck, it made more than Reminiscence, Those Who Wish Me Dead, The Many Saints of Newark, and Judas and the Black Messiah did that year, and those movies included huge stars like Hugh Jackman and Angelina Jolie. It grossed only slightly less than The Little Things, starring Denzel Washington, and no one is questioning his star power.
Here’s the ironic part. While WB hasn’t been reporting Juror No 2’s box office take – overseas the film has overperformed, making $10 million (so far) despite a low-key release. There’s a very good chance it would have made a decent amount of money domestically. The fact is, Eastwood has always had a solid sense of what his audience wants to see. Juror No. 2 isn’t one of his best, but it’s a sturdy morality tale with terrific performances from Hoult, Collette, and supporting cast members like Kiefer Sutherland, J.K. Simmons, and Cedric Yarborough of Reno 9-11, who are powerful in an against-type part.
I think none other than Guillermo Del Toro summed it up best when he posted on Bluesky:
“Went to the theatre to see Juror#2, Clint Eastwood’s latest film. We enjoyed it tremendously. It’s – in some ways- his Crimes and Misdemeanors. The film is precisely and assuredly filmed, and it’s Nicolas Hoult’s to lead. The cast delivers beautifully, and it has an ending that sets the theatre abuzz-Its central dilemma reminded me of the quiet turmoil boiling under Dana Andrews in Preminger Noir of your choice (for me- Where The Sidewalk Ends). It wrestles with it supported by a well-paced structure and well-pondered twists. Why was this not released widely in the States? We saw at the Grove with a significant crowd that was vocal and responsive all the way. I truly hope WB can hold it longer. Eastwood is a master filmmaker and the steady, unfussy craft reveals him still in great form. Go see it on the big screen!”
Have you seen Juror No 2? Let us know what you think in the comments!