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Lily Allen looks chic in a pale pink blazer minidress as she leaves the theatre after another successful performance of The Pillowman

Lily Allen looks chic in a pale pink blazer minidress as she leaves the theatre after another successful performance of The Pillowman

The rain didn’t dampen Lily Allen’s spirits as she left the Duke Of York theatre in London on Wednesday night, after another performance of The Pillowman. 

The singer, 38, flashed a wide smile as she was greeted by a flurry of fans who waited to get a glimpse of her as she left through the stage door. 

Lily has taken on the role of Katurian, a writer of disturbingly violent stories who is imprisoned by a totalitarian state. 

The Air Balloon hitmaker has been showing off her sense of style every night as she makes an outfit change and ditches her bloodied costume for a number of chic looks. 

And Wednesday was no exception with Lily putting on a leggy display in a structured pale pink blazer minidress. 

Chic: The rain didn’t dampen Lily Allen’s spirits as she left the Duke Of York theatre in London on Wednesday night, after another performance of The Pillowman

So stylish: The Air Balloon hitmaker has been showing off her sense of style every night as she makes an outfit change - ditching her bloodied costume for a number of chic looks

So stylish: The Air Balloon hitmaker has been showing off her sense of style every night as she makes an outfit change – ditching her bloodied costume for a number of chic looks

The singer sported a bronzed complexion and teamed the minidress with a pair of nude heels. 

She managed to dodge the rain with the help of a fellow colleague who brandished a large umbrella and led her to her awaiting car, through the crowd of fans. 

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The Pillowman is Lily’s latest acting role after she appeared as Jenny in 2:22 A Ghost Story last year. 

The songstress recently appeared on This Morning alongside her co-star Steve Pemberton to discuss the production. 

She said: ‘There’s a bit of violence in it. She’s an artist and writer and that’s something I relate to. She definitely pushes boundaries. There was a lot for me to tap into.’

Lily, who is used to performing as a singer, told how she likes the settled nature of starring in a theatrical production.

She said: ‘I really like the routine of it all. I love being in one place. It’s nice not to get on a bus and move to the next destination.’

The role is a serious undertaking for Lily as she doesn’t leave the stage throughout the play’s duration.

She said: ‘There are so many lines. I started learning them in February. She reads out her stories. Five or six of her stories, I have to know off by heart.’

Sweet: The singer, 38, flashed a wide smile as she was greeted by a flurry of fans who waited to get a glimpse of her as she left through the stage door

Sweet: The singer, 38, flashed a wide smile as she was greeted by a flurry of fans who waited to get a glimpse of her as she left through the stage door

Glam: And Wednesday was no exception with Lily putting on a leggy display in a structured pale pink blazer minidress

Glam: And Wednesday was no exception with Lily putting on a leggy display in a structured pale pink blazer minidress

Tanned: The singer sported a bronzed complexion and teamed the minidress with a pair of nude heels

Tanned: The singer sported a bronzed complexion and teamed the minidress with a pair of nude heels

Character: Lily is the first woman to take on the leading role of Katurian in the revival of the 2003 play

Character: Lily is the first woman to take on the leading role of Katurian in the revival of the 2003 play 

Steve also sang Lily’s praises, saying: ‘She’s absolutely smashing it. She carries the whole play because she never leaves the stage.’

Although she is enjoying her work, Lily said she has no desire for the play to receive an extended run as her children Ethel and Marnie are returning to school in September.

The play first premiered in 2003 and was written by Martin McDonagh who has since become known for films including The Banshees Of Inisherin and Three Billboards Outside Ebbing, Missouri. 

The Pillowman will run for a limited time only, finishing in early September.

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The Pillowman: What do the critics think?

The Telegraph, Claire Allfree

Rating:

‘[The] production lacks psychological conviction and a certain atmospheric pungency, while Allen is all at sea amid the play’s daring shifts in tone. 

‘I went expecting to be shaken and sickened. Instead I found myself often mildly bored.’

The Times, Clive Davis

Rating:

‘Is Allen up to the task? It’s true that she didn’t disgrace herself in that immensely popular supernatural thriller, 2:22: A Ghost Story.

‘But here, her limitations are more exposed. There’s precious little variation in her voice and gestures; sometimes she seems almost a spectator at her own ordeal. 

‘It’s Steve Pemberton and Paul Kaye — as the sadistic Tupolski and Ariel respectively – who command your attention.’

The Stage, Sam Marlow

Rating:

‘There’s a pallid blankness about Allen that may be intentional, but makes her difficult to engage with.

‘McDonagh glances at, rather than interrogates, the myth of the tortured artist, as well as the notion of creative immortality, yet in mischievously refusing to commit to a point of view, he repeatedly undercuts his own arguments, with the result that the play feels flimsy and nebulous.’

The Evening Standard, Nick Curtis

Rating:

‘Allen, who made an impressive stage-acting debut in Dunster’s ongoing 2:22 A Ghost Story, is compulsively watchable: drawn, intense, angular. 

‘But this show requires a juggling of emotional states she can’t quite muster.’

Theatre Mania, Alex Wood

‘As she did in her West End debut 2:22 A Ghost Story (also directed by Dunster), Allen fares well on stage – sincere, eloquent and never overly maniacal in a role that could easily slip into histrionics in the wrong hands. 

‘She most certainly has better material to work with here than in her freshman stage outing, to the extent that you can trace a quite definite character arc as Katurian moves from bewilderment to assured catharsis.’

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